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Brand voice principles

Five sentences that decide every other sentence we write.

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By Naomi Suzuki · Marketing · Updated 3 days ago · v9 · 4 contributors

Why we wrote this

Atlas writes a lot of things — onboarding emails, error messages, release notes, support replies, a homepage. The thing that makes those feel like one company isn't a logo or a font. It's a voice. This page is what that voice sounds like, with enough specificity that two strangers writing for us on the same day would still write in agreement.

This is not a style guide for grammar. It's a guide for the posture of the writing.

The five principles

What our voice doesn't do

"Hustle harder! 🚀 10x your team's knowledge with our game-changing workspace!" — not us, never us.

The reverse of each principle is also a useful guide. We don't reach for adjectives when a number would do; we don't bury the answer at the bottom of an email so the reader has to scroll for it; we don't manufacture urgency; we don't pretend to side with the buyer against the maker (or the other way around).

Editing checklist

Before sending anything that an outside human will read:

☐ Can I cut the first sentence? (Often yes.) ☐ Did I use a specific noun where I used "stuff" or "things"? ☐ Does the headline tell the truth even if the rest is unread? ☐ Have I used our actual product names? ☐ Would this still read calmly tomorrow morning?

Writing release notes Error message library Customer-facing email register
Shared with everyone at Atlas Field Notes Inherited from Marketing Public link · view only Last reviewed by Naomi · 3 days ago